Acknowledgements

[Marcantonio Raimondi: The Dream of Raphael (1508)]

The Imaginary Museum of Atlantis

© Jack Ross 2006

ISBN 0-9582586-8-6


For Ken, again

Acknowledgements are due to the following for the use of texts and extracts:

• The texts on pp. 9, 15, 32 & 60 come from The Home Encyclopedia of Psychology, ed. Greg O’Bannon (London: Macmillan, 1986), pp. 20, 455, 197 & 145.

• The texts on pp. 10, 11 & 65 come from Nathan Driscoll, Atlantis: A Conspiracy Revealed (London: Arkana, 1977), pp. 19-21, 15-16 & 13-14.

• The text on p. 13 and the illustration on p. 24 are reproduced from Paul Fletcher, In the Bull-Ring: Hot Air and Hyperbole in Antipodean Writing (Nelson: Shingle Bay, 1999), pp. 73 & iv.

• The illustration on p. 14 is reproduced from Paolo Caneppele & Günter Krenn, “Infinite Distance in Close-Up.” Justine and the Story of O (Köln: Benedikt Taschen Verlag GmbH, 2000), p.15.

• The texts on pp. 16 & 61 come from the Compendium of World History: Chronologies, Analyses and Biographical Data, ed. Siobhan Michaels (New York: Space Publishing, 2001), pp. 273 & 134.

• The texts on pp. 17, 50, 62 & 64 come from Plato, The Collected Dialogues: Including the Letters, ed. Edith Hamilton & Huntington Cairns (London: Routledge and Kegan Paul, n.d.), pp. 1218-22, 1219, 543-44 & 1159-60.

• The texts on pp. 18, 29, 66, 70 & 75 come from Stephen Sunderland, Soul Avatars (London: Arkana, 1991), pp. 207-8, 255, 151 & 123, 171 & 174.

• The text on p. 19 comes from Devon Jennings, “Boob-tube review.” TV Times (19/9/03): 16.

• The text on p. 20 comes from Jock Standish, Doctor Who: XL Glorious Years (London: BBC Bookshelf, 2004), p.iii.

• The texts on pp. 21, 23, 40 & 78 come from Bela Seriton, Encyclopedia of Strange Phenomena (New York: Infinitude Press, 1995), pp. 234, 71, 173 & 247.

• The text on p. 22 comes from John Flaxman, “Prophecies of 9/11.” Enigma (29/12/02): 29.

• The text on p. 25 comes from Sisters, vol. 29 (11) (2004): 7-8.

• The texts on pp. 27 & 49 come from The Sign of the Scorpion: An Erotic Mystery Story (New York: Black Mask Books, 1934), pp. 176-78.

• The texts on pp. 30, 43, 76 & 79 come from Gabriel de Souza, Masters of Memory (London: Dion, 1999), pp. 296, 22-26, 17 & 14.

• The text on p. 33 comes from Roger Horrocks, “The Invention of New Zealand.” AND 1 (1983): 9.

• “Ithaka” (p. 34) first appeared in Tongue in Your Ear 8 (2005): 42, and was reprinted in Lorraine West & Stefan Kalleides, In Transit: Poems & Translations (Athens: Journeyman Press, 2005), p.18.

• The texts on pp. 36, 56 & 72 come from Ivor Maskelyne, Egypt or Atlantis? (St. Albans: Third Eye Publishing, 1984), pp. 75-76, 244 & 124.

• The illustration on p. 41 and the text on p. 52 are reproduced from Bud Plant’s Incorrigible Catalogue, ed. Laurie Woodum (Spring 2004): 75 & 25.

• The text on p. 42 comes from International Newzbreaks (22/07/04): C3.

• The text on p. 44 and the illustration on p.45 are reproduced from from James Churchward, The Lost Continent of Mu (London: Dion, 1926), pp. 9-13.

• The illustration on p. 44 is reproduced from The Hutton Commentaries [http://www.huttoncommentaries.com/]

• The illustrations on pp. 47 & 56 are reproduced from The Codex Nuttall: A Picture Manuscript from Ancient Mexico, ed. Zelia Nuttall (Boston: Peabody Museum, 1902), pp. 81 & 26.

• The text on p. 51 comes from Jared Bolton, “Metonymic Imprisonments.” JOL [Journal of Occidental Literature] 9(2) (1987): 309.

• The text on p. 58 comes from K. B. Ramananda, Buddha Consciousness: An End to Turmoil (New York: Helion Press, 1968), pp. 32-33.

• The text on p. 67 comes from Mauricio Estebán, The Code-Breakers: Cryptograms and the People Who Solve Them (London: Sphere Books, 2001), p.128.

• The quotation on p. 70 is from Alan Moore, From Hell (Auckland: Bantam, 2001), chapter 4, p.26.

• The text on p. 70 comes from Jim Corbett, The Temple Tiger and More Man-Eaters of Kumaon (London: Oxford University Press, 1954), p.139.

• The illustrations on pp. 71 & 80 are reproduced from Robert B. Stacy-Judd, Atlantis: Mother of Empires (London: Dion, 1939), pp. 174 & 145.